The Shorline and the Sea
2012
Acrylic on Paper
11x14 inches
Its come to distances
as I wander in my time
like a sleepy golden storm.

Its just the way it changes.



A kind of Cohen remix in the paints.
Killer Lillies
2011
Watercolour on Paper
24x32 inches
Sketch for the silk painting in VainTrifles
Killer Lillies - detail
2011
Watercolour on Paper
24x32 inches
Corvids of Whitehorse
2010
Feltwork and Oilpaint applied to Raw Canvas
30x32 inches
Corvids of Whitehorse

Like werewolves
in London
but much more
stark.
Corvids of Whitehorse - Installed
2010
Feltwork and Oilpaint applied to Raw Canvas
30x32 inches
Corvids of Whitehorse

Is two enough to count
as a murder?
Light Returning - Yukon Forest
2010
Feltwork and Oilpaint applied to Raw Canvas
26x34 inches
Tiger Sketch
2007
Watercolour and Ink on Cotton Paper with Natural Inclusions
2x3 inches
Brown-eyed Jerusalem
2007
Watercolour and Ink on Cotton Paper with Natural Inclusions
3x5 inches
Artichokes?
And as the sunrise tried to burn away the deepy colours of the night,
2011
Watercolour and Ink on Paper
3x5 inches
Pods
2011
Watercolour on board Mounted Paper
12x18 inches
Logan Burn, Wintersun
2012
Watercolour on Board Mounted Paper
12x18 inches
Sketch for Logan Burn, Sunday 2PM

How can a bright yellow sunshine be cold?

In a Yukon February
when a blanket of bright white snow
covers the remains
of the forest fire season
just past.

This is one of the "atmosphere" sketches for a final installation called Logan Burn, take a look at the final installation here
Lake Superior South Shore
2009
Oil on Canvas
9x13 inches

Sharon Hogg is a visual artist working in Calgary Alberta and Lombardy Ontario, Canada. She holds a Bachelors of Fine Art and  a Masters of Fine Art from the Alberta College of Art and Design.


Where humans intersect with unseen natural forces, she imagines what lies behind or beneath the surface. More than seeing, she wants to feel the backstory, the understory, the glue that holds it all together. Her work seeks to bring that underlying level of awareness closer to the visible and the touchable.

The ​Sublime, New Materialism and the Vorticists are influences.