Blobules!
2010
Mixed Media on Panel
6x6x2 inches
Blobules! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Blobules!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Blobules!
Cowlick!
2010
Mixed Media on Panel
6x6x2 inches
Cowlick! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Cowlick!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Cowlick!
Pumped!
2010
Mixed Media on Panel
6x6x2 inches
Pumped! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Pumped!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Pumped!
Tacked!
2010
Mixed Media on Panel
6x6x2 inches
Tacked! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Tacked!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Tacked!
Breaskout!
2010
Mixed Media on Panel
6x6x2 inches
Breakout! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Breakout!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Breakout!
Skintight!
2010
Mixed Media on Panel
6x6x2 inches
Skintight! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Skintight!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Skintight!
Wired!
2010
Mixed Media on Panel
6x6x2 inches
Wired! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Wired!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Wired!
Bloodlines!
2010
Mixed Media on Panel
6x6x2 inches
Bloodlines! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Bloodlines!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Bloodlines!
Follyculed!
2010
Mixed Media on Panel
6x6x2 inches
Follyculed! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Follyculed!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Follyculed!
Gumption!
2010
Mixed Media on Panel
6x6x2 inches
Gumption! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Gumption!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Gumption!
Skinmask!
2010
Mixed Media on Panel
6x6x2 inches
Skinmask! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Skinmask!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Skinmask!
Hotfuzz!
2010
Mixed Media on Panel
6x6x2 inches
Hotfuzz! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Hotfuzz!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Hotfuzz!
Hairies!
2010
Mixed Media on Panel
6x6x2 inches
Hairies! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Hairies!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Hairies!
Fissure!
2010
Mixed Media on Panel
6x6x2 inches
Fissure! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Fissure!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Fissure!
Sags!
2010
Mixed Media on Panel
6x6x2 inches
Sags! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Sags!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Sags!
Splurt!
2010
Mixed Media on Panel
6x6x2 inches
Splurt! - sketch for Corporeal Foment
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Splurt!
The visceral, textural nature of these sketches will eventually be translated into a large flat watercolour painting.
The sketches are used to work out the feeling, the sensation as much as they are used to work out the processes to be used in the major work in the series.
Each sketch, however, must stand on its own as a unique exploration into a single aspect of the series.
I think of these sketches as building blocks...take a look at Splurt!